How fine a line can you get away with using a 9 panel grid?
I'm in the midst of a challenging SF story in which I'm using the grid and almost every panel is packed with activity. I worked up this test panel as a style test and I kept questioning how thin I could go with the inks. I used a stiff Japanese nib (a zebra I think) and a 0.1 Micron.
Working "half up" is certainly essential for the amount of detail I'm going for, however it adds to the difficulty of knowing whether the lines will be too thin when shrunk back down. I printed this off at actual size and it felt pretty good. However, it's kind of hard judging it alone, without 8 other panels surrounding it.
I was reading here about how Moebius was facing the same issues when he dipped his toe into American Comics with Silver Surfer. His thin lines would often completely disappear - granted, printing reproduction has come a long way since the 80's. Perhaps I should be more concerned wiht how it will look on an iPad.
Showing posts with label moebius. Show all posts
Showing posts with label moebius. Show all posts
Friday, October 14, 2011
Friday, September 16, 2011
Ligne claire
I've been toying with an open line style for a very 2000AD inspired short story and it's been a real challenge. I think what makes it so difficult is that you can't get away with suggesting information, you actually have to provide all the details. Feng Zhu talks about this here:
I've been looking at a lot of HergĂ© and Moebius for inspiration. It's kind of mind boggling to read that Moebius often works straight with pen - and that “there is no such thing as a mistake”
File this image under "not healthy for artists who arn't Moebius too look at"
I've been looking at a lot of HergĂ© and Moebius for inspiration. It's kind of mind boggling to read that Moebius often works straight with pen - and that “there is no such thing as a mistake”
File this image under "not healthy for artists who arn't Moebius too look at"
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